I’m Published on St. Somewhere

I am very pleased to share that one of my poems has been published in the premiere issue of a new online literary journal, St. Somewhere. St. Somewhere is the baby of Randy Baker, an American who grew up in Kingston, Jamaica. The new journal will focus on writers and writings from the Caribbean and the Southern Coastal United States as described here:
In terms of Southern Literature in the U.S., we wish to pay special attention to the coastal regions of the South and the distinct sub-cultures associated with the area. From the Carolina Low Country, down and around to the Louisiana bayous, there are histories and cultures that, while having commonalities with the upper and mid-South, also stand uniquely apart in many ways. Furthermore, it would seem that there are often overlooked similarities and connections between this sub-region of the United States and the Caribbean region. The pairing of these areas in a literary setting has the potential to compare and contrast their respective cultures from a unique angle.
I think Randy has a great idea with this journal. So many of us who live in New Orleans (Who Dat!) love life here precisely because it’s a city that’s a melting-pot of cultures rarely found anywhere else. I wish him good luck with St. Somewhere and hope everyone reading this will visit.
Randy also blogs about the writing life at Digital Calabash.
Mellow
“The further time takes you away from a situation, the less important it becomes until, finally, it’s nonexistent.”
This is the thought that came into my head just before I was completely awake this morning. It’s a sign and a prophecy. And already so true in so many ways.
I Miss You, Teddy
Teddy Pendergrass’ sweet, smooth voice of Rythmn & Blues was silenced last Thursday, January 14 after a prolonged battle with colon cancer. Teddy’s was a safe and familiar voice coming from my TG&Y stereo in my early teen years when he was lead singer for Harold Melvin and The Blue Notes. Although, he left the group in 1976 and became wildly successful on his own for many years, I will always remember him fondly and best singing with the soulful harmonies of the Blue Notes.
Here is a live version of I Miss You from 1975.
Frost, Unfamiliar
Every few years Mother Nature reminds us, we who live in this land unfamiliar with the deaths of winter, not to become complacent in the temperate world we inhabit. We, who are used to our banana trees and ferns flourishing in January as well as June, rarely expect to wake up to a garden in a less than lush state. But, nature is and will ever be impervious to the expectations of mere humans. Our desires are accommodated only by chance if they fit into the whole, grand scheme of this spinning planet with it’s moon-driven tides.
For the last few nights the stars have glittered like distant ice bergs in the clear, cold expanse of sky. I wonder: do they fall to earth while we sleep, transforming into the early morning sparkle of frost in our gardens?
Contemplation
I don’t know exactly what a prayer is./I do know how to pay attention, how to fall down/into the grass…/how to be idle and blessed, how to stroll through the fields….What will you do with your one wild and precious life?
~~~Mary Oliver , The Summer Day
009
“You know what I think? I think that we’re all in our private traps, clamped in them, and none of us can ever get out. We scratch and we claw, but only at the air, only at each other, and for all of it, we never budge an inch.”
–Norman Bates
Tammy Vitale

(Cross-posted from NOLAFemmes.)
I first interviewed Tammy a little over 2 years ago on my personal blog after following her art via her blog, Women, Art, Life: Weaving It All Together, for I-don’t-remember-how-long. It seems I’ve been reading her beautiful writings and feasting my eyes on her extraordinary art forever. Tammy is nearly always the top search engine generated subject on Casa de Charlotte and that first interview consistently gets hits, day after day. Just goes to show how sought-after her art is!
I decided it was time to introduce Tammy and her art to the readers of NOLAFemmes. I picked up where I left off on the previous interview, anxious to hear what she’s been up to since then. (As if I didn’t know already!)
Since our last conversation you’ve added beadwork to your treasure trove of talents. Is this your first foray into this medium and what attracted you to it?
Well, not exactly. In the early 90s I tried jewelry making but could never find strong string – I have no idea what other supplies they had then but I was self taught and didn’t manage to find what I needed so I left it alone. Then I met my friend Tricia (now owner of mdbeadboutique.com) and for a while we traded work back and forth as a mutual admiration society. Then she took me to a wholesale bead show and I was hooked. When you buy that many beads you need an excuse to keep on buying so you start selling. I am attracted to glittery things so of course beads catch my eye! Plus in the economy downturn, I still had no problem selling jewelry. So I got really hooked and went into lampworking and beadworking (which is my favorite now). And it’s all so much more portable than clay!
How is beadwork similar and different from sculpting for you?
Making jewelry is 3D, especially in its fancier applications (wire working and the really 3D beadworking) – you can build depth into the finished product. Like sculpture you build it a part at a time and often it takes off in its own direction (okay, almost all the time). Better than sculpture (since I stick pretty much with clay and found objects) I love all the possibilities of beads – the colors, the matt vs glitter, faceted vs smooth – there are just so many lovely choices.I’d like to say it’s less expensive but it’s easily 10x more expensive than clay sculpture so that’s not an excuse. I can wear it out – it starts conversations, creates new clients, and while pieces are waiting to be sold I have this entire gallery of color and style to pick out the perfect piece for the day – talk about abundance! i LOVE that about making jewelry.

I see you’re also teaching now. How has that affected your artwork?
I teach very talented folks – whether or not they’ve ever touched clay. They all approach their pieces bringing their own experiences to bear so I get new ideas and tons of inspiration for my own work. I don’t think you can share creative energy without new things being born, and I have always seen teaching as a two way street. As we work together to bring their conceptual ideas into realization, problems I’ve never thought of appear and are solved, ways of handling the clay, texture, color – all continually teach me to see anew through the new eyes of my students (who are always also my teachers).
How do you fit your art, both the creative and business sides, and your home life and responsibilities into a 24 hour day?
That’s an awesome question because for the last 8 years I haven’t. I’ve done pieces well, and other pieces poorly or not at all and was completely discouraged about how it would ever work out. Then I started working with my coach and suddenly it became apparent I wasn’t thinking big enough! So I am working on finding people to do those parts that can be farmed out or done better by someone else who will love doing them so I can do the things I do best: design and create. I’ve also begun putting together a combination of my former profession as a community-based organizer and my art into a program I call “AmpUP: Live/play/work outloud” that teaches others who are looking for “what’s next” or who find themselves yearning for something they can’t quite name how to think bigger. I’ve decided that will save the world! As soon as I get my website functioning half way smooth, I will have new programs under my “workshop” tab – I have a free handout with an overview of the art business that will go up within the next week or so. No wonder I felt overwhelmed! But it’s a good outline and is also a good argument for thinking bigger and starting to hire other people (this is done on a very part-time basis and works really well). Soon afterward I will be offering eseminars/webinars (depending on which I learn first). It’s all very exciting and I get up in the morning and go to bed at night thinking about how to bring this to fruition (I”m really really close!).
If you find yourself losing interest in a project do you feel guilty and push yourself to finish or set it aside saying, “ah it’s just not meant to be”? Do you have any tips you can share regarding motivation and/or discipline in completing projects?
I’m a firm believer in everything having its own time. If a project doesn’t want to be finished I have to look at why I’m resisting – is it intuitive that it’s the wrong direction and needs to be rethought? If yes, then stop and sit with it a while and wait to hear what wants to become. Is it because there are new scarey pieces to it that I’d just as soon not have to deal with? If yes, then persist on through, in small timed chunks if necessary, but keep going because this is a stretch out of the old comfortable cocoon and birthing is always a bit scarey but necessary. I think the answer of finish or no is in the why of the resistance.
Journaling or drawing pictures or collaging are all ways to bring forth answers as well as sitting quietly, or making a nighttime request before sleep to see what dreams bring. You know fear of success can be just as strong as fear of failure – stronger sometimes. Who are you now if you are this person capable of greatness? What does that do to your self image and what will you then need to do? (and who among us isn’t, in the end, absolutely capable of greatness – isn’t that why we’re here in the first place?!)Part of what I love about your blog is the “Wylde Woman’s Wisdom” at the end of each post. Is spirituality integral to your creative process?
Yes. I have to believe that I have a part in something that is larger than me, that what I do counts in the larger scheme of things. We all tell ourselves stories and mine is that we came for a reason, and our heart’s desires are the guides to that. It would be so much easier if I could just get a regular job and collect a regular pay check, but the older I get, the less and less that becomes an option. It’s playing so much smaller than I am capable of, and fulfilling my possibilities (which increase with every success and even every “failure” that doesn’t stop me) really jazzes me up. I am not bored with my life. Ever.Where can we purchase your art?
From me directly, locally at the several shows I do a year, from any of the shops I have, from any shops you can talk in to representing me (and oh I would love a shop in New Orleans! or, if not there then at least around Ocean Springs Mississippi!). Unfortunately one of the drawbacks of my new website is that I don’t have my gallery of work up yet (I’m hiring someone next week, but she can’t work on it if my webiste photo uploader isn’t working). That is looming large right now and within the next 6 months I will have an excellent gallery showing all I have to offer. In the meantime, scrolling back through my blogs gives a good idea of what I have to offer, and I’m always happy to send along photos if someone can sort of describe something of mine
they’ve seen somewhere.

My 2009 In Photos
It was a helluva year!
1. Snow in NoLA 12/11/08, 2. KdV 2009 002, 3. KdV 2009 005, 4. Mirliton Fest 2009 004, 5. Guitar Lightnin Lee, 6. Mirliton Fest 2009 048, 7. Mirliton Fest 2009 036, 8. 001, 9. St.Joseph Street, 10. NOLA Brewing Co., 11. Mirliton Fest 2009 004, 12. 004, 13. 1 014 Super Sunday in New Orleans 2009, 14. 1 020 Super Sunday in New Orleans 2009, 15. 1 045 Super Sunday in New Orleans 2009, 16. 1 064 Super Sunday in New Orleans 2009, 17. Red Dress Run, 18. Red Dress Run, 19. Red Dress Run 006, 20. Sunday afternoon in da quahtah, 21. Hot 8, 22. Hot 8, 23. Jazz Fest 020, 24. Jazz Fest 010, 25. Jazz Fest 001, 26. French Quarter Fest 2009, 27. RnB & MLB 035, 28. Bucktown Allstars, 29. Mystic Krewe of Barkus 2009 013, 30. Mystic Krewe of Barkus 2009 009, 31. Zulu float house in French Quarter, 32. Mardi Gras Day 2009, 33. Bywater Tour 013, 34. Bywater Tour 010, 35. Sandbar on the Mississippi, 36. The city from the river
Christmas Brilliance
Christmas day is in three days and I’m wondering where the time has gone. While the hours sometimes have seemed to drag lately the days are disappearing as quickly as fireworks bursting in the dark sky. You know how it is….you can never get a good enough look at the brilliance of the lights and so are left with only vague dots of color floating before your eyes. The colors of my days have seemed dark for quite a while but I’m still surprised with bursts of iridescent sparkle that remind me of how beautiful life can be.
Tonight I want to say thank you to some of the people who’ve given me the brilliance of their friendship and care.
First to my dear friend, Chris. You are always there for me whether I am bubbly and happy or in that dark place where light cannot penetrate. You are the only person I feel completely comfortable whining to, knowing I will never be judged. Plus, it’s good to have a friend who looks so formidable when we’re out ratting the streets.
Trish, my sista. We clicked from day one. Our secrets are ours and we’ll take them to our graves. I love you.
Amy. What can I say about someone who has a heart as big as Lake Ponchartrain? You always, always respond when I leave silly, ambiguous statuses on FaceBook, needing just a little love sent my way over the air waves. (Is it air waves? Whatever.) It’s like you can read my mind. Thank you.
Jeff L., you always make me laugh. Even if I don’t know what the hell you’re talking about! Plus, your photo’s rock big time. Sending lots of “Brownies and beer” to you!
Lisa P. – Thank you for being there for me on one of the worst nights of my life. I will *never* forget. And thank you for letting me be a part of your love for the second line. Some of my best times this year was with you!
And to my NOLAFemmes sisters: Amy (again!), Nikki, Holly, Nola Notes and Morwen: I thank you all for everything you’ve done for the blog. I picked you all for a reason – because you’re strong, caring wonderful women. Thank you.
To everyone who has touched my life this year: May you have a wonderful holiday filled with good food, good friends, family, love and the precious brilliance of life.
Merry Soulful Christmas
Got my baby, my precious love
Happiness, good God, I got plenty of
Would you believe I got peace of mind
And I’ll be groovin’ at Christmas time
PhotoHunt 191: Undesirable
I took this photo during a second line here in New Orleans. It looked to me at the time like Dad was scolding son for some sort of undesirable behavior. Regardless, this is one of my favorite photos.
See more “undesirable” photos at PhotoHunt.
PSA
For anyone who might be interested, five of my short poems are being featured this week on The Electronic Poetry Network of Shreve Memorial Library in Shreveport, LA. As described:
The Electronic Poetry Network (EPN), founded in 1997 and edited by Carlos Colon, uses the work of poets from around the world. In addition to being featured on this web site, the poetry is displayed all day or all weekend long on an electronic message board located on the first floor of the Main (Downtown) Branch of our library. If you wish to have your poems considered for the EPN, please send 5-10 short poems (no longer than about 50 words each) to ccolon@shreve-lib.org. The poems do not need to be haiku. They just need to be short and suitable for the general public. Previously published poems are acceptable.
One poem per day for the week is posted. You can read them here.

































